Tolkien nods - the introductory description of Arwen

I am currently reading aloud The Lord of the Rings, as a bedtime book; and am again absolutely delighted by it. I find every scene, indeed almost every sentence, to be effective and beautiful.

But yesterday I came across the introductory description of Arwen - as observed by Frodo at a feast in Rivendell; and I realised explicitly something which has nagged at me ever since I first read the book. In his writing at this point, Tolkien fails to communicate the beauty of Arwen.

*

In the middle of the table, against the woven cloths upon the wall, there was a chair under a canopy, and there sat a lady fair to look upon, and so like was she in form of womanhood to Elrond that Frodo guessed that she was one of his close kindred. Young she was and yet not so. The braids of her dark hair were touched by no frost, her white arms and clear face were flawless and smooth, and the light of stars was in her bright eyes, grey as a cloudless night; yet queenly she looked, and thought and knowledge were in her glance, as of one who has known many things that the years bring. Above her brow her head was covered with a cap of silver lace netted with small gems, glittering white; but her soft grey raiment had no ornament save a girdle of leaves wrought in silver.

So it was that Frodo saw her whom few mortals had yet seen; Arwen, daughter of Elrond, in whom it was said that the likeness of Lúthien had come on earth again; and she was called Undómiel, for she was the Evenstar of her people. Long she had been in the land of her mother's kin, in Lórien beyond the mountains, and was but lately returned to Rivendell to her father's house. But her brothers, Elladan and Elrohir, were out upon errantry: for they rode often far afield with the Rangers of the North, forgetting never their mother's torment in the dens of the orcs.

Such loveliness in living thing Frodo had never seen before nor imagined in his mind; and he was both surprised and abashed to find that he had a seat at Elrond's table among all these folk so high and fair. 

*

It should be noted that Tolkien does a great job of communicating the beauty of Goldberry, and Galadriel - and the special appeal of Eowyn. It is only Arwen where he fails.

I recall, when first reading the book back in 1973, being astonished by the appearance of Arwen to marry Aragorn after the ring had been destroyed - having entirely forgotten about her and who she was; and being even more astonished that Eomer could regard her as more beautiful than Galadriel (in his discussion with Gimli) - since I had a very clear impression of Galadriel's beauty, and none at all of Arwen's.

(By comparison, if Goldberry had turned up at the end of the story, I would certainly have remembered her. Not least because I had a clear picture of her in my mind.)

I think it can easily be seen how the passage on Arwen, which I quote above, fails: she is introduced as looking like Elrond - who is a male; the writing tries to describe her beauty by negatives (young yet not so, hair touched by no frost, grey eyes like cloudless night, flawless skin...); there is too much point by-point description of her features and clothes, without ever putting the 'pieces' together...

And, there is no impression of the effect Arwen has on those around her. The hobbits are stunned by Goldberry's beauty; and the Fellowship almost paralysed by that of Galadriel... Here we have a brief, ineffective paragraph on what Arwen does not look like - then we are off into history and background information.

So, here is a very rare, and yet narratively important, place where Tolkien nods, or lapses. It causes a structural fault in the book - small but significant.

Why here? Most likely because Arwen was a visual reincarnation of Luthien, and Luthien was based on Tolkien's wife Edith - and Tolkien was (understandably) perhaps somewhat impaired in his ability to evaluate his own writing objectively (i.e. for its effect on the reader) when it came to writing about his own wife.