Sunday, 6 May 2018
Tolkien and fandom
When I first became interested in JRR Tolkien in the middle 70s, there was not much attention paid to him by the British mass media - but when there was, there was always some reference to the popularity in US college campuses, and to phenomena such as the 'Gandalf for President' lapel button, and graffiti along the lines of 'Frodo Lives'. Then The Lord of the Rings (LotR) movies in the early 2000s triggered another - much larger - wave of mass-, and the social-, media fandom.
When I consider the phenomenon of Tolkien popularity represented by the Gandalf for President button, I can find no relationship at all between that and what I value in Tolkien or LotR, with what is actually-in Tolkien; indeed the joke political slogan is the antithesis of what the LotR represents ex-plicitly, im-plicitly and every kind of plicitly... Saruman for US President/ Sauron for UN President would make a great deal more sense.
In their way, 'fans' of Tolkien are sincere; and may expend a great deal of time, money and effort in their fan activities. Yet, in the end it gets the participants nothing-at-all - it corrupts Tolkien rather than learning from him.
Fandom - but its appetite for novelty, and it mass nature, always corrupts; and always corrupts in the direction of prevalent mainstream ideology: whether that be 60s hippiedom, late 70s environmentalism, or - since the 80s and increasingly - the various facets of the sexual revolution, political correctness and 'social justice'.
Instead of learning-from Tolkien; it is quite normal for fans to read-into Tolkien whatever happens to be the current nihilism, hedonism, materialism, atheism... somehow fans find in Tolkien exactly what they seek - or else try (in effect) to 'teach' Tolkien about feminism, socialism, radical sexuality... whatever - for example via the vast mass of fan fiction (including 'slash' fiction) that quite explicitly inserts this kind of stuff into Tolkien's world.
Other fandoms are closely analogous - revealing that this is a property of fandom rather than being related to specific authors or their work. In Harry Potter, another work of Christian fantasy with traditional values at its heart; the main fan website was initially obsessed with the 'shipping' (romantic relationships between) the main characters, in all possible and inconceivable combinations. Later the web pages and fandoms were quite explicitly and systematically enlisted for a check-list of current social justice campaigns, such as agitation for same sex 'marriage' legislation. And the fans duly complied, with apparent enthusiasm and zeal.
Or Brandon Sanderson - I recently attended a talk, reading and book signing done by Sanderson; which was packed with hundreds of fans who turned-out and paid money to be there... and I say fans, because in the Q&A session every single one of the couple of dozen questions was related to the most trivial, ephemeral and superficial aspects of his work. There was not one single interesting, insightful, or challenging question asked by this mass of people; not the slightest indication that the novels were anything other than depictions of magic systems and 'cool' personalities.
Sanderson is an active Mormon, and all of his work is permeated with a serious consideration of religion and spirituality; both on the surface and as underlying structure. But it was clear that for Sanderson's fandom this was of sub-zero interest - invisible and irrelevant.
The phenomenon of fandom is therefore at best trivial and fashion driven, there being more in common between fans (regardless of what they are fans-of) than between fans and the subject of their fanaticism. Fandom is corrupting and destructive of whatever is good in the authors and works that get caught-up by it; and in its advanced form, fandom embodies subversion and inversion of whatever is specific and distinctive in its subject matter; the aim being to reinterpret and rewrite it in line with currently-dominant, top-down, manipulative social campaigns that ultimately emanate from (and are funded by) the global Establishment elites.
So the phenomenon of fandom is a product of evil purpose; and has a malign influence all-round. No wonder that the elderly Tolkien was so confused and appalled by its first stirrings in the 1960s, and by the 'Gandalf for President'-type expressions.
Journalists thought that this was 'ungrateful' of him, because masses of fans led to more sales and more money in Tolkien's pocket.
But Tolkien was not a 'professional author' - he wrote from the heart and for the highest motivations. And he realised that fandom had nothing to do with him or his work; but on the contrary was the attempted obliteration of his work, the attempt to harness his books for a dark agenda.