Sunday 18 August 2024

JRR Tolkien did not finish and publish The Silmarillion because the motivational aspect of his genius had dwindled

It is an interesting question why JRR Tolkien did not finish and publish The Silmarillion; despite that The Lord of the Rings was published in late 1955 and Tolkien did not die until mid-1973; and despite that all through these seventeen-plus years he was insistent that making The Silmarillion publishable was his number one priority. 

Much has been written, and truly enough, about the many technical difficulties facing Tolkien in this work, and about his habits of making matters harder for himself by writing new material (and radically changing old material) rather than focusing on the core task of making The Silmarillion both internally consist, and consistent with the published Lord of the Rings.  


I would like to take a different approach altogether. This recognizes that JRR Tolkien was a genius, The Lord of the Rings was a work of genius, and Tolkien wanted The Silmarillion also to be a work of genius.

By my understanding of the nature of genius; to do work of genius requires both exceptionally high ability, and also exceptionally strong motivation. 

This exceptional motivation comes from within (i.e. is "endogenous" - inner-generated) - and can only come from within. The motivation is focused to accomplish the particular task a genius feel inwardly compelled to accomplish. 


Such a powerful and sustained inner motivation is something present... or not. 

Because of the difficulty of accomplishing a work of genius, only a genuine and inner motivation will suffice to provide the sustained and directed energies and concentration that is necessary. 

Self-exhortation, external pressures, the sense of duty, potential financial or other benefits... these things can be no substitute for a genius's special capacity for inner motivation, directed to do what he "must". 


The Letters of JRR Tolkien document the power and resilience of his motivation to write the Lord of the Rings (LotR), extending over more than a decade - and persisting despite many obstacles such as multiple urgent and competing duties at home and in work, World War Two, physical and psychological illness; and his innate reluctance to finish any piece of work, but instead to "niggle" at it.  

Tolkien wrote and published Lord of the Rings; despite several longish hiatuses and interruptions - some self-inflicted; but always he would return to the job, again and again, pushing forward over-and-over with the massive task - even as its difficulties continued to expand.

We need to recognize the colossal expenditure of directed and sustained effort that this required - Tolkien often emphasized this himself in later writings, including the Foreword to Lord of the Rings.  


My point is that genius-level writing is not only a product of genius-level ability; but also genius-level motivation.

It was primarily a decline of motivation that failed Tolkien in his intention to complete and publish The Silmarillion - at a level of attainment commensurate with the earlier published book. 

Such a decline in motivation was, of course, not Tolkien's "fault". Indeed, it is more accurate to put things the other way around...

More accurate to say that Tolkien was temporarily blessed with a tremendous power of self-motivation during the years of his late middle-age; carrying him through from the beginnings of LotR in 1937, at least to submission of its final volume in 1955 - by which time Tolkien was sixty-three years old.

The (apparent) fact that this extraordinary motivation was not sustained over the entire remainder of his life and through into extreme old-age; is simply that such things depend on our mortal and vulnerable bodies and minds; therefore they don't usually last very long.  


I think his ability as a writer remained largely intact; in that some of his very best pieces of writing came after the publication of Lord of the Rings and up to the late 1960s. these including Silmarillion themed pieces; posthumously published in Unfinished Tales and The History of Middle earth.   

So I believe it was diminished motivation rather diminished ability that was the problem with The Silmarillion. 

Tolkien was to some extent unable, and also to some extent unwilling, to focus his motivation on The Silmarillion. This is evident in the memoir from Clyde Kilby, about assisting Tolkien in the middle 1960s - ostensibly to help him complete The Silmarillion. 

Kilby reports that (on a day by day basis) Tolkien went to considerable lengths to do almost-anything-else, other than work on The Silmarillion!


But a particularly telling example is documented in the published Letters.

Immediately after the publication of LotR; Tolkien claimed, in many letters, to be unable to focus upon The Silmarillion because he needed to complete several philological publishing commitments, as well as continue the duties related to his position as a Professor of English at Oxford. 

However he was due to retire in just a couple of years...

But in 1957 Tolkien arranged to stay on as Professor for an extra two years. This he stated to be due to money worries, related to a modest pension. In the event (as Tolkien realized by 1958) there was no reason to be concerned about his income, because income from royalties on LotR soon proved to be very substantial indeed. 

In correspondence; Tolkien said he wished he had known this before taking on the extra two years as Professor - which was not, after all, proving to be financially helpful (due to the effect on taxation of his royalty income). Tolkien said that if he had known about the extra LotR income, he would have retired earlier, at the statutory age. 

Tolkien finally retired in 1959, aged 67 - this was now four years post-LotR. 


However, in a letter dated 21st July 1962; Tolkien announced that from October 10th "I have to stand in for the outgoing Professor of Anglo Saxon" until the new Professor took up his post in Easter 1963. 

Of course; Tolkien did not "have to" do anything of the sort! It was Tolkien's choice - a matter of his priorities, not his duties; and there was no financial necessity. 

Tolkien was by 1962 now seventy one years old, and had been fully retired for three years; and was five years post his official retirement - and it was now fully seven years since the Lord of the Rings had been published. Seven years since he was supposed to be concentrating his best energies on completing and publishing The Silmarillion...

Yet, here was Tolkien voluntarily returning to university duties that had stood in the way of his writing for decades, the onerous nature of which he had very frequently complained in his earlier letters!


What I infer from this is that, in his later life - approximately the final eighteen years, Tolkien lacked the colossal drive necessary to making The Silmarillion his priority, setting aside other claims on his time and energies, and pushing through to its completion. 

It was this inner lack of motivation, presumably due to increasing age and diminishing vitality - rather than anything else; that was critical in Tolkien's failure to finish The Silmarillion.  


Monday 12 August 2024

Frodo in the tower of Cirith Ungol - The ultimate hopeless situation?

When the Lord of the Rings begins, we see almost everything from Frodo's perspective, through Frodo's eyes. But after as Frodo and Sam leave the Fellowship, and their separate journey with the One Ring proceeds, the point of view shifts from Frodo to Sam. 

One consequence is that the situation of Frodo's paralysis by Shelob, the ring being taken from the apparently-dead Frodo by Sam while he is only unconscious; and then Frodo's capture, imprisonment and torment in Cirith Ungol - are all seen from the perspective of Sam; who is trying to find and rescue Frodo. 


We therefore hear about Frodo's response to the (apparent) utter hopelessness of his situation; only after he has already been rescued by Sam. And Frodo's desolation at the loss of The Ring is described only for a few moments before Sam returns it to him.

‘They’ve taken everything, Sam,’ said Frodo. ‘Everything I had. Do you understand? Everything!’ He cowered on the floor again with bowed head, as his own words brought home to him the fullness of the disaster, and despair overwhelmed him. ‘The quest has failed, Sam. Even if we get out of here, we can’t escape. Only Elves can escape. Away, away out of Middle-earth, far away over the Sea. If even that is wide enough to keep the Shadow out.’

Frodo's despair at losing The Ring is depicted while the reader is aware that The Ring is not incipiently in Sauron's hands, but is in Sam's possession, in the room and right in front of Frodo. 

So, for us, Frodo's cry of desolation is tinged with irony, and we realize that this misery will be brief. We don't, therefore, appreciate the full impact of Frodo's earlier situation - as it was experienced by Frodo at the time.  


But if we imagine how matters seemed to Frodo, just a few minutes before this scene; it is apparent that here again is one of those situations in Lord of the Rings where there is apparently no hope at all... 

After all; Frodo is in Mordor - far from any possibility of help; in a fortress full of hundreds of orcs who all hate him; and are arguing whether to torture him immediately; or obey orders and send Frodo to the impregnable Dark Tower where he will encounter Sauron himself. 

Meanwhile, Frodo is sick from Shelob's venom, stripped and whipped and taunted incessantly; and worst of all he has the "knowledge" of having failed his friends and the world and lost the "precious" One Ring that has a terrible and addictive grip upon him.


It is hard to imagine a more validly despair-inducing situation; a situation more genuinely hope-less. And yet that estimate of "no hope" turns-out to be wrong, a factually incorrect assumption. 

Of course; the situation is fictional. But it is nonetheless true. By this point in the story, we are reading Lord of the Rings exactly because of its truth, because its characters and situations are real. So, the mistaken nature of Frodo's despair is a genuine life-lesson for us; if we care to learn from it. 

The lesson that we ought never to despair: and never means never, no matter what


At the practical level, we should never give up hope because we never know all the relevant facts - and some of what we don't know may make all the difference. 

At the deepest level, we should never give up hope because we inhabit the divine creation of a good and loving God - and therefore we always can and will be helped ultimately... 


We will be helped, that is, as long as we have not given-up hope... 

Because despair is a rejection of the reality of divine creative goodness; and despair is what cuts us off from divine providence.

By despairing; we choose to believe that God cannot help us (or does not want to help us) and thereby we place our-selves beyond reach of God's help...


As we see elsewhere, with the self-chosen fate of Denethor - we actively embraces despair, and from doing so embraces evil, and does the work of Sauron.

Significantly; it was Denethor's vision of Frodo's captivity in the Palantir - true, yet incomplete as it was - that was what finally broke his spirit, and destroyed his last hope.